Ha! this one certainly isn't screwed mate!
I was always going to incorporate fabric surface detail into this model from the moment that I decided to get into it. I like to try something new with most of my builds and this was no exception. Many times during research on the aircraft, my eye was drawn to the very subtle ribs and raised detail on the rear of the wing, and control surfaces. The kit is pretty well devoid of most of any surface detail. I think this enhancement will be the single biggest change to the look of the kit, as it gives it a look that allows the viewer to have some idea of how the real aircraft was constructed that is: wood, wire and fabric. It brings to the kit a certain fragileness of the real thing. The detail that I am incorporating is `second look' stuff. Once the viewer recoignises the sleek shape of the model, he (or she) will be drawn in closer for a second look to see the finer detail that made up the beast and will question how such a fine looking machine was made from such parts.
Anyway, enough of the lovey dovey stuff and into the technique.
Working from Mancave B today so a different desk and lights. Tamiya Masking tape, a sharp lead pencil, vernier callipers and a straight edge. The ribs are very subtle and are very hard to capture in a photo as the are only obvious depending on where the light is.
I used this superb profile picture as taken by Alpha Delta 210 over on Britmodeller as my reference.
I used Tamiya 6mm masking tape to fill in the areas between the ribs as it was a perfect fit width wise.
I decanted Tamiya fine surface primer and sprayed it over the masked area with the airbrush. a couple of coats were needed.
I then sanded carefully between each rib to give it a 3D look.
Similar for the ailerons
In this picture, you can see how I accomplished the wrap around fairings of the wing root. I scribed them in place and then carved the rest of the model away from them to give them the raised look.
Masked off the rib detail
The effect is so subtle that it is really hard to photograph. You really have to move the model around near a light to see it at this stage. Once the gloss red paint goes on, it will be a different story.